Object Through Object
Within the framework of the project, artist examines the internal forms of organisation of the examined objects and how a change in the internal organisation affects the ontology of the exami- ned object (Anders, 2009). The research/research is based on polymeric structures in which the internal organization is organized under the influence of external factors (e.g. stretching). The situation of a pandemic, the entry of a non-human actor-virus scene, has caused the organization of life (understood as a zoe and a bios as recognized by Rosi Braidotti) on and inside the planet to change suddenly and radically. One of the changes was the sudden association with non-human and inorganic actors – polymers that are used to produce protective measures to protect against infection and co-design a new choreography and organization of everyday life.
As part of the project he use structures and algorithms of internal organization of polymers as a tool to describe organization and management of societies and communities, producing a polymer epistemology of changes in society after change. By researching and building a speculative map and model of social choreography he produce scenarios of the future that move away from carbon chauvinism towards a polymer fetish.
